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Primary Triads (Chords) in the Key of B Major. F#m > B > G#m7 > C#m7. The B major triad being played WITH the D7 is what makes this work. The interval from B to D-sharp is a major third, while the interval between D-sharp and F-sharp is a minor third. Major triads. Inversions of the B Chord. A b9 is a very typical tension … For example, a C major triad uses the notes C–E–G. Chord progressions. FIGURE 1 illustrates the three notes of an E major triad: E (the root), G# (the maj3) and B (the 5). Triads are classified according to intervals formed above the root. Triads (or any other tertian chords) are built by superimposing every other note of a diatonic scale (e.g., standard major or minor scale). Triad, in music, a chord made up of three tones, called chord factors, of the diatonic scale: root, third, and fifth. If the factors of the triad are a major As for a technical explanation, think of it this way…all I’m doing here is playing a D13b9, which is a sound that I love and notice to be occurring often in the music I listen to. A major triad is built from the root, major third and fifth. It would, however, change the name of the triad – see Naming Triads. The system of diatonic triads is the basis of tonal harmony in music. A major triad can also be described by its intervals: the interval between the bottom and middle notes is a major third and the interval between the middle and top notes is a minor third.By contrast, a minor triad has a minor third interval on the bottom and major third interval on top. B Major triad chord with the root on 5th string: X 2 4 4 4 2 B Major triad chord with the root on 5th string: X 2 4 4 4 X B Major triad with the root on 4th string: X X 13 11 12 X B Major triad with the root on 3rd string: X X X 4 4 2. A major triad is composed by stacking a major third (2 steps) and a minor third (1 and a half steps). As B major triad, the B chord consists of a major third plus a minor third. The most common chords are triads, which are built by adding the third and fifth notes in the scale above a starting note (or root).For example, in C major, the triad built on C contains: C (the root) E (the third note above C; often called just "the third") Chord I- B Major: B D# F#; Chord IV- E Major: E G# B; Chord V- F# Major: F# A# C#; Each triad is a major since this is a Major scale. This spells a triad by skipping over D and F. While the interval from each note to the one above it is a third, the quality of those thirds varies depending on the quality of the triad: First, fourth and fifth chords of a major scale will always be major chords. Seventh chord of a major scale will always be diminished chords. Construction. Using the first, fourth and fifth notes of the scale, we will build the primary triads. The seven diatonic chords formed from the key of B major are: I. The G major triad would be G - B - D. Minor Triads: Minor triads are constructed in the same fashion as major triads, only based off the minor scale. Augmented Triads: Augmented triads have a cool sound, very mysterious. Second, third and sixth chords of a major scale will always be minor chords. First and Second Inversions. B – D♯ – F♯ (B major chord) ii. Any other chord that has the same-named notes as a root position chord is considered to be essentially the same chord in a different position. Take the 1st, 3rd, and 5th notes of the scale and you end up with the minor triad. If the root of the B chord – B – is the bass note (i.e., the bottom note), then the chord is in root position: B to D-sharp is a major scale will always be minor chords have a cool sound very... 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