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Pictures Of Mic'ed Up Drum Kits In The Studio. If you want to capture a full sound of those drums in the room, try using the R84 as a front-of-kit mic. i've been reading the … AEA's popular R84, on the other hand, has its flattest response much closer to the source-in the 2 ft range. Most vintage ribbon microphones are spectrally balanced for medium and distant placements, principally because their inherently large proximity effect precludes close miking. I spoke to someone and they felt the Royer more sturdy for the job. The R92 was designed in response to requests (from some guitar-playing AEA employees) for a mic that would sound great for recording guitars when placed right up against the amp grill. The R84 delivers the classic sound of the 44 in a more compact, lightweight body. The R92 was the first near-field microphone we developed, and its optimal recording distance is anywhere between 1 and 18 inches from the source. (I'll certainly have to check it out sometime, though, now that you've brought it to our attention...). This is in a studio where the most powerful amp is a 50 watt Marshall Stack. AEA R92 -vs- R84? The R84 is just a great example of a classic ribbon mic sound, engineers beware of boominess. Understanding the distinct qualities of each microphone is essential when it comes to deciding which of the two will best serve the instrument you are recording. Post by Recycled_Brains » Mon Sep 25, 2006 6:27 pm i'm currently exploring some ribbon mic options and am wondering if anyone could offer any experience related info./comparisons between these the R92 and R84 models. Turn the front of the mic towards the source to achieve a more crisp, bright sound and turn the back to the source for a darker, smoother sound that tames harsh high frequencies. Additionally, if the instrument or vocal you’re recording sounds thin, you can move the R84 within 18 inches of the source to take advantage of its low-end proximity effect. i'm looking for a ribbon that would work well on both acoustic and electric guitars, as well as female vocals and OH/Room mic. The R92 has a tonality similar to that of the R84, as they both exhibit a classic Big Ribbon sound, but the R92 has uniquely pronounced mid-range response as well as minimized proximity effect. Though the R84 and R92 cut similar silhouettes, each microphone has … This mic gets frequent use at the Disney Character Voices studio. I was kind of dumbfounded at my choice for a minute until I started to recall a lot of discussions I had seen on the forum and a conversation with the guys over at Mercenary Audio. Offering a classic ribbon character in the form of a near-field, the dual-tone R92 functions as a versatile creative tool with innumerable possibilities. If you need a close mic on a guitar amp, try an R92. The AEA R92 was designed with reduced proxmity effect, enabling it to … The R84’s proximity effect can boost the low-end frequencies of any source within 18 inches of its position. AEA’s classic Big Ribbon sound is at the heart of both of these microphones. So quite surprisingly, when I finished the blind test I found that I picked the R92 for sounding better to me on everything except Female vocals and Rap vocals. AEA’s popular R84, on the other hand, has its flattest response much closer to the source — in the two-foot range. The new R92 employs AEA's Large Ribbon Geometry design, like the R84, but this new model has been optimised specifically for close-miking applications. The AEA R84 is sort of a lightweight R44, with the same long-geometry ribbon but a different magnet structure. Front End Audio | Your Ultimate Pro Audio Dealer | 888-228-4530. AEA's popular R84, on the other hand, has its flattest response much closer to the source-in the 2 ft range. I just recorded a proximity effect test tonight with my R84. The R84’s optimal recording distance is anywhere between 2 and 6 feet from a source, though the R84 is also a capable room mic, delivering a balanced treble/bass ratio from as far as 15 feet away. ... a ribbon mic of the calibre of the AEA R92 is highly recommended. The choice between the two is dependent on the distinct needs of a project or environment. Post by Recycled_Brains » Mon Sep 25, 2006 6:27 pm i'm currently exploring some ribbon mic options and am wondering if anyone could offer any experience related info./comparisons between these the R92 and R84 models. Most vintage ribbon microphones with varying effective distances it sounds basically flat, least... Having trouble deciding on a pair of matched ribbons... ) where the most powerful amp is place. 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